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Burnt Row, Somercotes. A Poem By Thomas Ragg, 1837

by SLHS on Wednesday 28 August 2019

  

1. BACKGROUND

In 1802, Somercotes consisted of a small number of houses in what is now known as Lower Somercotes, plus the lower part of Somercotes Hill. The Alfreton Ironworks was opened that year and the main source of work for the majority of the population would have been in the small number of collieries and ironstone mines dotted in the landscape. That year, on 27 August, a dreadful fire destroyed a small row of terraced houses in which three young children were reported to have died.

The event made the pages of newspapers all over England, and through their reporting it also appeared in the “Annual Register, or a View of the History, Politics and Literature for the Year of 1802”, actually published in the following year. A transcript of the entry follows: “August 27th. Early this morning several persons observed an unusual smoke to issue from the chimney of a house in the possession of Thomas Harding, at Somercoates-common near Alfreton, in Derbyshire. The door was broken open, and the internal part of the house was found all in a smoke and burning, but not in flames. Before any person could get upstairs the chamber floor fell to the ground, and its ruins brought with it the remains of three young children burnt to death; one without its head, and the other two wanting some of their limbs. The parents of these unfortunate infants went on Monday afternoon to Ripley [about two miles from thence] to some merriment and very imprudently left the children all night by themselves.”

Some thirty five years later, a man named Thomas Ragg wrote and published a poem about the fire in Somercotes. By then, the houses that had been destroyed must have been rebuilt, and their replacements became known locally as the “Burnt Row”.

An anthology of writings called “Ward’s Miscellany & Family Magazine” reprinted the poem by Thomas Ragg from his own work “Sketches from Life, Lyrics from the Pentateuch and other Poems”.  “Ward’s Miscellany” described the work of a poet and took Ragg’s poem as an example to illustrate their points. Part of the article states that “…The real poet, therefore, finds access to the heart of his reader by the mere force of his genius. Mr. Ragg is a poet, and as such, needs no intrinsic recommendations to the favour of the public…” The article in “Ward’s Miscellany” continues “…Among the Sketches from Life are some extremely touching. We select a quotation, although somewhat long, “Burnt Row”, a tragical incident simply and pathetically narrated in the fine old ballad style”

 

2. THE POEM

BURNT ROW by Thomas Ragg  [1808-1881]

[Note - due to the text editor on this website, bullet points have been used to distinguish the start of each line of verse]

  • Have you ever been to Somercoates
  • In Rocky Derbyshire?
  • If so, then haply you’ve heard my tale
  • If not you shall shortly here
  • For in Somercoates some houses stand
  • Which people call Burnt Row
  • And the elds, they dolesome things relate
  • Which happened there long ago
  • The sun was up, the morn was fair
  • The mists were fleeing away
  • And the birds sand sweet in the bushes roun’
  • To welcome the rising day
  • A mother said to her eldest girl
  • To her eldest girl said she
  • “We go to your aunt’s today my dear
  • So take care of your sisters three”
  • “The give me a kiss, my sweet mother
  • For you scolded me yester e’en
  • And though I own I was naughty then
  • I wish I never had been”
  • “And give me another, my mother dear
  • For I feel, I can’ tell why
  • As though I should kiss those lips no more”
  • And a tear sprang into her eye
  • “Oh foolish child,” said the good woman
  • “Tis but a few miles we go
  • And we shall return by the full moon light
  • By a path that we well know” 
  • “There is no river for us to cross
  • No pit lies in our way
  • And many a long from the wake will come
  • So banish your fears I pray”
  • The tear went back in the daughter’s eye
  • And a smile came o’er her cheek
  • But Oh! It was not a smile of joy
  • For she felt as her heart would break
  • She tendered her little sisters fair
  • As merrily they played
  • And strove to throw off the load of care
  • That oft her young spirits preyed
  • But her smiles were like the trancient gleam
  • That pierces the thick mists through
  • When clouds envelop the bright sun-beam
  • And the heavens wear a murky hue
  • She played with her little sisters three
  • Till the long summer day was spent
  • As over the green grass joyfully
  • They danced to their hearts content
  • And to bed they went when the night came on
  • Though she trembled over her prayers
  • And sleep, ere long, with soothing charm
  • Had lulled her bosom’s cares
  • How sweet the sleep of the young must be
  • When troubles are small and few
  • When the heart is light, and the thoughts are free
  • And stainless as morning’s dew
  • For sweet it is even to see them sleep
  • And watch the unconscious smile
  • That over the rosy face will creep
  • Though the lips are closed the while
  • But oft tis but a poison cup
  • Which charms their cares away
  • And greedily as they drink it up
  • Destruction grasps its prey
  • The moon rose over the mountains high
  • The midnight hour was past
  • And kindred who met at the wake that day
  • Prepared for their homes at last
  • “But what is that light in the heaven yonder!”
  • The wife to her good man said
  • “It does not come from the moon I wist
  • It seems such a fiery red”
  • “Tis the northern light” said the company
  • “Though seldom in summer-tide
  • Its beautiful tints thus brilliantly
  • Spread over the welkin wide”
  • “But it changes not” the mother said then
  • As though of her distant home
  • And her daughters words rushed into her mind
  • That was tossed like the wild seas foam
  • And many and deep were the mother’s sighs
  • As homeward they went along
  • Though they laughed at her fears, and told her oft
  • To bridle her foolish tongue
  • The flame grew brighter and brighter still
  • As on the road they went
  • Till nought appeared but a glowing red
  • Half over the firmament
  • The leaves were tinged with a ruddy hue
  • And the moon grew deadly pale
  • And each, as he looked at the other’s face
  • Felt all his courage fail
  • “There must be a fire in Somercoates
  • For see it is drawing near”
  • “Yes, there is a fire in Somercoates
  • And my children are burning there”
  • The mother said with a bursting heart
  • As her tears in torrents flowed
  • And nothing they spake would comfort her
  • As they hastened along the road
  • Away, away to the fatal place
  • Breathlessly hurried they all
  • And just arrived in time to see
  • The roofs of two houses fall
  • “The row is on fire! The row is on fire!”
  • How many will share in the woe
  • But from thought of the many to share in her grief
  • To her no comforts flow
  • For O, what a sight for a mother there
  • Her children all lifeless lay
  • And the lips that sued for a kiss that morn
  • Were blackened and shrivelled away
  • She gave her children a long, long gaze
  • Then laughed like a maniac wild
  • And never another word she spake
  • Save “Kiss thee? O yes, my child”
  • Three days she suffered in speechless woe
  • ‘Twas all that her strength could do
  • Then the earth that over her children spread
  • Covered the mother too
  • Twelve years passed on. In a distant town
  • Where wondered the Avon’s tide
  • A priest was sent in haste one night
  • To pray be sick man’s side
  • "What lies on your conscience so black?” said he
  • “The blood that the Saviour spilt
  • Is sufficient and more sufficient to cleanse
  • Every penitent heart from guilt”
  • But in vain were his prayers, his preaching vain
  • Still writhing in agony
  • The sick man said as he wrung his hands
  • “O, there is no hope for me!”
  • “I hated a neighbour in Somercoates
  • Twelve long, long years ago
  • And to injure him sought, with malice as deep
  • As a spirit accursed could know”
  • “I set fire to the home where his children lay
  • In innocent sleep locked fast
  • And twelve houses were burnt in that dreadful night
  • By the brand these fingers cast”
  • “The mother was laid in her children’s grave
  • The father looked up no more
  • But nobody knew how the fire broke out
  • And the wonder at length passed o’er”
  • “My conscience smitten with keenest pangs
  • I fled from that dreadful scene
  • Still hoping that time would banish it all
  • As though it had never been”
  • “But withersoever my body went
  • No peace could my spirit find
  • The awful dead of that sad, sad night
  • Is ever before my mind”
  • “And now I am going alas to reap
  • The seed that I have sown before
  • For that brand has purchased a place for me
  • In fire to be quenched no more”
  • “Though dark are thou deeds”, said the holy man
  • “A penitent still may’st thou die
  • For the Saviour came but to seek the lost
  • Then now to his bosom fly”
  • “I cannot, I cannot” the sick man cried
  • “See, the demons are round me now
  • The brand that I threw in the house that night
  • Is fixed on my burning brow”
  • “O mercy, O mercy! Tis all too late
  • My doom is fixed I see!”
  • Then he drew up his legs and died in bed
  • Crying “There is no hope for me”

 

3. NOTES ON THE EVENT AND THOMAS RAGG

The life of Thomas Ragg, the author of the work is interesting in its own right. Thomas Ragg was born in Nottingham on 11 January 1808 but moved with his parents, George and Jane Ragg to Birmingham a year after his birth. At the age of 11 he worked in the printing office of the Birmingham Argus before taking an apprenticeship with his uncle, who was in the hosiery trade, in Leicester. In 1834 Ragg moved to Nottingham, his place of birth, to work for a bookseller. By then he had already had poetry published. He became editor of the Birmingham Advertiser and in 1845 set up a stationers and printers in that city. Through his work he was introduced to Dr. George Murray, then Bishop of Rochester, who persuaded Ragg to accept ordination into the church. He was later appointed a curacy in Southfleet, Kent and then at Malin’s Lee in Shropshire. In 1865 he was appointed the perpetual curate of Lawley, where he remained until his death in 1881.

How he came to hear of the tale may never be known, as the event itself happened six years prior to his birth. The latter part of the poem is also a mystery. Who the self-confessed arsonist and murderer was is not mentioned and nothing can be found so far in the records which would corroborate Ragg’s work.

Burnt Row, however, is recorded. The Derbyshire Times & Chesterfield Herald published on 11 July 1863 recorded that in Somercotes “…when peaceable folk were thinking of retiring to rest, they were suddenly annoyed by a parcel of persons of Selston Common, setting up a most discordant noise, near the Burnt-row”. Several other instances of the name are recorded, one giving the address as “Burnt Row, Somercotes Hill” but from 1930 mention of the name seems to disappear from the records. It was common for locals to give alternative names to buildings; Seely Terrace, for example, was often know as Long Row, and Hollyhurst Terrace as the Dog Kennels; so it appears that “Burnt Row” was a name given to a row of houses rebuilt sometime after the fire. The name never gained official sanction, and does not appear on any maps.   

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